In the 1980s and ’90s, Winona Ryder was a dark-haired waif against a sea of preppy blondes. Pale, brooding and enigmatic, Ryder cut her teeth starring in alternative, macabre films like “Beetlejuice” (1988), “Bram Stoker’s Dracula” (1992), “Edward Scissorhands” (1990) and “Girl, Interrupted” (1999).
Her grungy, gamine look made her a convincing on-screen outsider, but it was this singularity that captivated so many. Three decades on, the starlet’s off-beat allure has hardly waned. In fact, it might have grown. 신규사이트
There’s a recurring backdrop in the many of the polaroid snaps: the crowded collage wall of Rich’s basement office at fashion designer Marc Jacobs’ headquarters on Mercer Street in Manhattan. Ryder is there again and again — in a purple plunging evening gown, in messy braids and a dance school tank top or in a pair of overalls and a woven sun hat. 안전놀이터
Cameos by stars ranging Grace Jones to Kate Moss are strikingly human. They are pictured kissing Ryder on the cheek, or with arms flung around one another in a tight embrace. The office was their off-duty clubhouse, says Rich, who documented his friendship with Ryder consistently. 온라인슬롯
온라인카지노 안전놀이터 신규사이트 메이저사이트 메이저놀이터 바카라 바카라하는법 바카라규칙 슬롯 슬롯머신 슬롯하는법 잭팟 룰렛 온라인슬롯 안전공원